| 1 | Name: | Dr. Elizabeth Cropper | |
| Institution: | National Gallery of Art | ||
| Year Elected: | 1998 | ||
| Class: | 4. Humanities | ||
| Subdivision: | 401. Archaeology | ||
| Residency: | Resident | ||
| Living? : | Living | ||
| Birth Date: | 1944 | ||
Elizabeth Cropper received her B.A. with honors from Cambridge University, England, and her Ph.D. from Bryn Mawr College. Before joining The Johns Hopkins University as professor in 1985, she was a professor at Temple University's Tyler School of Art. In 2000 she succeeded Henry Millon as Dean of the Center for Advanced Study in the Visual Arts at the National Gallery of Art, one of the world's leading centers for advanced research in the history of art. In 2019 it was announced that she would retire from her role as dean in 2020. In addition to professorships at Cambridge University and CASVA, her visiting appointments include tenures as directeur d'Etudes Associé at the Ecole des Hautes Etudes en Science Sociales, Paris (1990-1991 and 1997); as Samuel H. Kress Fellow, CASVA, National Gallery of Art (1984-1985); and as professor at the Collège de France in 1996. Among Dr. Cropper's postdoctoral research awards are positions as visiting scholar and fellow at the Harvard Center for Renaissance Studies, Villa I Tatti, Florence; Andrew W. Mellon Professor at CASVA; and visiting member, School of Historical Studies, Institute for Advanced Study, Princeton. Her publications include Pontormo: Portrait of a Halberdier (1997), Nicolas Poussin: Friendship and the Love of Painting, with Charles Dempsey (1996); and The Domenichino Affair (2005). | |||